This week, I read two enlightening pieces of literature: “What’s Needed in Magic: Writing Advice from Haruki Murakami” by Emily Temple, and “Nobel Lecture: On not winning the Nobel Prize” by Doris Lessing. In Emily Temple’s insightful article, she outlines Haruki Murakami’s approach to novel writing, which is rich with advice for aspiring writers. The article emphasizes the significance of continuous practice and gaining experience through various strategies. Among these, reading extensively stands out as a crucial element, as it allows writers to absorb the craft on a deeper level. The notion that experience amplifies learning here is particularly compelling. Another key strategy discussed is the rejuvenation of old words. Murakami’s perspective, as quoted in the article, sheds light on the creative process: “I often recall these words when I am writing, and I think to myself, ‘It’s true. There aren’t any new words. Our job is to give new meanings and special overtones to absolutely ordinary words.’” This highlights the innovative challenge of breathing new life into familiar words, an essential skill for mastering the art of novel writing .Furthermore, the article underscores the importance of clarity and focus in one’s writing endeavor. Achieving a clear message and maintaining focus can significantly enhance the writing process, making it more effective and impactful. Lastly, the piece points out the critical role of confidence. Approaching writing with a sense of assurance is paramount; it’s a driver of excellence and can lead to remarkable results.
Doris Lessing’s piece, on the other hand, offers a poignant reflection on global inequality of opportunity and the transformative role fiction writers can play within this context. Lessing eloquently argues that our imaginations are a powerful force that shapes us, for better or worse. Her assertion that “it is our imaginations which shape us, keep us, create us – for good and for ill” struck a chord with me. It underscores the belief in the vast potential of imagination as an instrument for change, emphasizing its significance not just in writing but in fostering a better world. Both pieces, though focusing on different aspects of writing and its impact, converge on the idea that writing is not just an art form but a means of communication and change. Whether through the meticulous craft of novel writing or the broader socio-political commentary of fiction, writers wield the power to influence, inspire, and invoke change.
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